They constantly use rape, abuse, or threat of them, as a plotline.
#DRAGON KEEPER AUDIOBOOK ROBIN HOBB SERIES#
And the series are completely uncreative in their oppression. But it should also be entertaining, and all the oppression just makes me depressed. Yes, fantasy should explore social issues. But Hobb could show the struggles of oppressed women, and even show a few of their perspectives, without repeating the same story over and over again. And I am a strong feminist, so normally I wouldn't make that kind of argument.
#DRAGON KEEPER AUDIOBOOK ROBIN HOBB FREE#
In this, and the Liveship series, no women seem to be free from oppression of some sort, which makes for a boring story and stunts their characters. I cannot believe an editor was so lax as to approve this! I can ignore bad writing for the sake of a good story, but repetitive, uncreative writing just jars me from the story, and bores and frustrates me.Īs for the female characters- why are they so downtrodden? I get that Hobb might want to talk about the struggles of women in a less-developed, slightly oppressive environment, but she has gone overboard. The speech between one character and the next is almost identical sometimes, and conversation tends to repeat another character's thoughts from a mere one page earlier. 211 pages in, and I cannot recall any ordinary conversations- they are all super long, almost formal, and seem to talk about the same town issues/ over and over again, with no distinct differences in the perspective from different characters. I think her Liveship series was somewhere in between the others and this book in quality. And her wide variety of characters, and in particular her representations of women, were excellent. I adored the Farseer & Tawny Man series from Hobb, and her writing style was perfectly fine in those. This is a good story, but the writing does it absolutely no justice. I'm only about a quarter through this book, but it is frustrating me so much that I have to vent my feelings. So, though I stand by my low rating and negative review of Dragon Keeper, I would recommend you push through it and read the rest of the series, because I adored the second book.*****
The improvement from the first book is almost miraculous. But Kelsingra appears on no maps and they cannot get there on their own: a band of dragon keepers, hunters and chroniclers must attend them.*****I just wanted to say that I have finished the second book, Dragon Haven.
The dragons claim an ancestral memory of a fabled Elderling city far upriver: perhaps there the dragons will find their true home. Soon, they become a danger and a burden to the Rain Wilders: something must be done. Stunted and deformed, they cannot fly some seem witless and bestial. Leftrin, captain of the liveship Tarman, also has an interest in the hatching as does Bingtown newlywed, Alise Finbok, who has made it her life's work to study all there is to know of dragons.īut the creatures which emerge from the cocoons are a travesty of the powerful, shining dragons of old. Like everyone else, Thymara is fascinated by the return of dragons: it is as if they symbolise the return of hope to their war-torn world. But her father saved her and her mother has never forgiven him. Born with black claws and other aberrations, she should have been exposed at birth. People are changed by the Rain Wilds, subtly or otherwise. With its acid waters and impenetrable forest, it is a hard place for any to survive. Guided by the great blue dragon Tintaglia, they came from the sea: a Tangle of serpents fighting their way up the Rain Wilds River, the first to make the perilous journey to the cocooning grounds in generations. Return to the world of the Liveships Traders and journey along the Rain Wild River in this standalone adventure from the author of the internationally acclaimed Farseer trilogy.
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